Technical Specifications
Technical specifications reflect both current and projected information. Everything is subject to change.
V-RAPTOR™ [X] 8K VV |
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Item |
Details |
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Sensor Type |
V-RAPTOR™ [X] 8K VV 35.4 Megapixel Global Shutter CMOS |
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Effective Pixels |
8192 x 4320 |
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Sensor Size |
40.96 mm x 21.60 mm (Diagonal: 46.31 mm) |
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Dynamic Range |
17+ stops |
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Mount Type |
Integrated locking RF mount with electronic communication Supports /i PL lenses with RED RF to PL Adapters Supports Canon EF Adapter with communication and other adapters based on the RF mount |
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Max Data Rates |
Up to 800 MB/s using RED branded or other qualified CFexpress media cards1 |
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Playback Frame Rates |
23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, at all resolutions |
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Best Available REDCODE® |
REDCODE HQ, MQ, LQ, and ELQ at 8K 17:9 up to 60 fps REDCODE LQ and ELQ at 8K 17:9 up to 120 fps REDCODE HQ, MQ, LQ, and ELQ at 6K 17:9 up to 96 fps REDCODE MQ, LQ, and ELQ at 6K 17:9 up to 160 fps REDCODE HQ, MQ, LQ, and ELQ at 4K 17:9 up to 240 fps REDCODE HQ, MQ, LQ, and ELQ at 2K 17:9 up to 480 fps |
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REDCODE RAW |
8K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x 7K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x 6K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x 5K 17:9, 2:1, 2.4:1, 16:9, 1:1 4K 17:9, 2:1, 2.4:1, 16:9, 1:1 3K 17:9, 2:1, 2.4:1, 16:9, 1:1 2K 17:9, 2:1, 2.4:1, 16:9, 1:1 |
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Apple® ProRes |
Dedicated recording in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and Proxy recording available up to ProRes 422 HQ in 2K (2048 x 1080) up to 60P |
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Construction |
Aluminum Alloy |
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Dimensions |
Length: 5.9 inches, Width: 4.5 inches, Height: 4.3 inches (149.63 mm x 115.5 mm x 108 mm) |
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Weight |
4.03 lb without the body cap and the CFexpress card |
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Media Type |
CFexpress Type B |
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Battery Type |
Integrated V-Lock battery interface optimized for the Micro V-Lock batteries1 |
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DC Power |
+11 to +17 volts DC using the integrated 6-Pin DC-IN port |
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Operating Temperature |
0˚ C to 40˚ C (32˚ F to 104˚ F) |
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Storage Temperature |
–20˚ C to 50˚ C (–4˚ F to 122˚ F) |
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Relative Humidity |
0% to 85% non-condensing |
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RED® Global Vision |
Extended Highlights capability to capture more detail and color in extreme dynamic range scenarios. Phantom Track recording mode to capture multiple LED instances as dedicated clips. |
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Color Management |
Image Processing Pipeline 2 (IPP2) Supports 33×33×33 3D LUTs Supports import and adjustment of CDLs |
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Audio |
Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz Integrated dual channel (mic/line/+48V) input through 5-Pin 00B Audio Port, uncompressed, 24-bit 48 kHz 3.5mm stereo headphone port |
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Autofocus |
Phase detect with Face Detection |
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IP Connected |
Compatible with the RED Connect Module for live 8K R3D video over IP or live 4K over SMPTE ST 2110 Dual band Wi-Fi (2.4 GHz or 5 GHz) for wireless camera control, live preview, and direct Camera to Cloud workflow using FrameIO or Amazon S3 Wired control over USB-C or Ethernet (compatible USB-C to Ethernet adapter1 required) for remote camera control, live preview, direct Camera to Cloud workflow and high speed remote media offload |
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Monitor Outputs |
Proprietary Top Accessory Port for Monitoring and Control Integrated dual 12G-SDI with 6G-SDI, 3G-SDI, and 1.5G-SDI modes 12G-SDI: Up to 4096 × 2160 4:2:2 for 60p 6G-SDI: Up to 4096 × 2160 4:2:2 for 30p, 25p, and 24p 3G-SDI: Up to 2048 × 1080 4:2:2 for 60p 1.5G-SDI: Up to 2048 × 1080 4:2:2 for 30p, 25p, and 24p SMPTE Timecode, HANC metadata, and 24-bit 48 kHz audio |
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Monitor Options |
DSMC3™ RED® Touch 7.0” LCD RED® Compact EVF with DSMC3™ Adapter A Wireless 1080p live preview video feed using 2.4Ghz/5Ghz Wi-Fi for framing Integrated 2.4" LCD for camera control (no preview video) |
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Additional I/O |
Tri-Level Genlock Input using 9-Pin EXT LTC Timecode Input using 9-Pin EXT RS-232 CTRL (with RCP2) using 9-Pin EXT |
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Software |
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RED Control and RED Control Pro |
Access full camera controls and live preview from iOS or Android devices. Pro App: Operate one or multiple cameras over an IP connection to synchronize settings, manage media files locally or upload directly to FrameIO, develop custom looks with advanced CDL and LUT controls, and more. Ideal for control of multi-camera arrays, multi-cam shoots, and live events, all from one central location. Standard app available from the Apple App Store and Google Play Store. RED Control Pro available from Apple App store only and requires additional purchase. RED Control works wirelessly or wired using USB-C |
- For more information on accessories, refer to RED.com/third-party-accessories